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Rating: 8,8 of 10 Stars 294600 votes Actor: Colin Firth, George MacKay Sam Mendes writed by: Krysty Wilson-Cairns
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Please dismiss anyone who criticizes 1917 harshly as overanalytical snobs, perhaps haters of blockbuster films, and assume that they secretly liked it, because really, how can one not. Sure, you can find fault with it; if I had directed 1917 I would have done a few things differently. Still, you just can't argue that it's not a masterfully-crafted film that is riveting pretty much every moment from start to finish.
First, to anyone who might hesitate to go see the film because they think they will be subjected to the graphic violence and gore of, say, Saving Private Ryan, then don't hesitate anymore, and go see it. While 1917 is realistically gruesome, director Sam Mendes depicts the horrors of war - weird choice of words coming up, I know - beautifully. By that I mean, even the most horrifying and sad shots in the film, while highly stimulating in the aesthetic and emotional sense, are never extremely graphic, and you are never hit over the head with it. 1917, in this way, is a beautiful artistic masterpiece, never straying close to being shock art, but not holding back at the same time.
What would I have done differently had I directed the film? I would have toned down the "bad guys can't shoot very well" cliché. I know, it's dark much of the time, the hero is running and zigzagging through built-up areas which offer a lot of protection to an elusive target, and I don't mean to imply that our hero does not elude death at times because he makes some sound lightening-fast decisions; it's just that, at other times, that cliché seems to rear its ugly head. Another implausibility in the film is, our hero spends probably a good ten minutes going for an unplanned, unintentional swim in the river, yet nothing seems to have gotten wet afterwards. Seriously nitpicking now for implausibilities, but as food in the trenches of World War 1 was scarce, and rations were measly, why then cast a chubby actor as one of the protagonists. There's a scene where he's grateful to be given a small crust of bread, and it's somewhat incongruous considering he looks so well-fed.
What else? I'm not a fan of soundtracks that are seemingly intended to push the please-feel-something-now buttons, and 1917 has a button-pushing soundtrack. But at least the music is apropos, not sappy in any way. In general, I don't like the idea of war having a soundtrack, because soundtracks invariably glorify war.
I'll be interested to read reviews from people who have had first-hand battlefield experience; I have not, so I don't necessarily consider above to be a credible critique. It's just how I personally experienced the film.
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Fictitious war stories are generally not good and this movie 1917 is an example with what is wrong with recent war movies. The ridiculous story is implausible from the get go.
A really good war movie is the recent Roland Emmerich movie "Midway" with a straightforward factual story and thrilling action and heroes that look like heroes. It's a travesty that 1917 won the Golden Globe and Midway didn't even get a nomination.
There are so many holes in the story. Letting just 2 of them go is insane. The way Blake died was beyond irritating. Schofield's journey through sniper fire and river were just too unrealistic. Running through the battlefield at the end was just too much. Plus the elder Blake did not look like the younger Blake. Because things didn't ring true they weren't really exciting. Of course it is tense in the way you don't want him to die or get shot. But you know he will make or there is no movie so it wasn't the right kind of excitement.
How not to make a war movie. Please don't give this one an Oscar.
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